Environmental Influences Paper Essay Example | Topics and Well Written Essays - 750 words

Environmental Influences Paper - Essay Example This is the reason why understanding the demographics is of critical importance for an organization. According to the July 2008 estimates, the population of Germany is approximately 82,315,548. (Central Intelligence Agency, 2008) The total population figure has also been falling recently. For a company that produces or supplies necessary goods like food, clothing or shelter, this factor is very important because the higher the population, the higher will the demand and customer base for their products. Since the population in Germany is one of the largest in the world, this country would positively affect marketing. The male and female proportion in the population also affects marketing of gender specific goods. Besides this the age structure will also affect the marketing of goods. For example, a company that wishes to introduce health care facilities for the old population of the country would need to know if there is a need in the country. At present, the age structure if Germany is such that the most of the population lies between the ages of 0-60. (Federal Statistical Office, 2007) This is ideal for any type of company except for those who target older population. However, in Germany, the birth and death rates are decreasing, which increases the threat of aging population. This may also affect the marketing in the country. Social and cultural factors influence the consumer's behavior to a g... For example, in Germany, most spoken language is German and no other language is preferred (German Culture, 2008). This factor may affect the approach that organizations use in order to market their goods and services. The social structure also determines the marketing strategy in a country. For example, a company producing luxury goods needs to know the size of their potential customer base. The social structure in the country they are operating in will influence this. If the country has a low percentage of people in high class society, this country might not be the most ideal place for this company to launch this product. Germany is a modern and a cosmopolitan country and majority of the population lies in middle class. This may considered by companies while marketing their products. Political and Legal The Political and Legal factors of a country determine the marketing to a great extent. The company needs to know if there are any regulations set on production and marketing of any type of goods. For example, in Muslim countries such as Pakistan, alcoholic drinks are not allowed to be marketed. These factors affect the marketing of goods and services in a country. Also there are laws set by government and consumer protection agencies regarding the methods advertising. These will also affect the marketing strategy of an organization. There are no such legal or political factors in Germany that will greatly influence marketing there. The political conditions are stable and there are no such legal requirements that hinder marketing in any manner. Production and marketing of all types of goods and services is promoted there. Economic The economic conditions influence the marketing in the

Functions of Urban Space in Architecture

Functions of Urban Space in Architecture How does the Architecture of urban space stimulate appropriation and manipulation of its fabric, symbols and language by its inhabitants, in unfamiliar, and ways otherwise overlooked? To what extent does the modern city support and suppress activities deemed to elapse the prescribed use of a space? Are these opportunities for engagement limitless? Does the modern city stimulate the cultural and physiological identity of its inhabitants? Walk through urban space and you will undoubtedly see and experience what Borden refers to as the left-over spaces of modernist urban planning. (Borden, 2001, p.33) The spaces of decision-making, often characterised by excpansivity of space and signals. They are the spaces of the zero degree. (Borden, 2001, P.33) These spaces contain a predetermined use, need and time, and contain within them objects with predetermined functions. While these zero degree spaces quietly serve their purpose, it is suggested they are being appropriated beyond their expected use, and are venerated with new meaning in the process contrasting Lefebvres statement where he maintains a lack of qualitative differences in the Architecture of the modern city and the experience of it is being reduced to banal monotony. (Borden, 2001). The disciplines chosen are Skateboarding, Parkour and Guerilla Gardening. They have been chosen because they each contain within them the capacity to appropriate and re-programme spaces of prescribed function and use within the urban fabric of the modern city. They also all contain within them a distinguishing feature, for example the Skateboarder reappropriates space with the aid of a tool (the skateboard) that is absorbed into the body (Borden, 2001, p.1). Similarly, Parkour a discipline reliant on an individuals athletic ability and mental effort reappropriates space in much the same manner, however, the tool in this example is replaced by the motile body. Through a traceurs (generally accepted term for a Parkour practitioner) efforts they seek opportunities to remap their environment (Angel, 2014, p.179) and in doing so form new physical, spatial and psychological connections to it. (Angel, 2014, p.179) Finally, Guerilla Gardening is a discipline practiced by virtue of conviction. The movement is an attack on the scarcity of land within urban space, a battle for resources and ultimately a fight for freedom of expression and for community cohesion. (Reynolds, 2009, p.5) Thus, the aims of the text are threefold. It will introduce, and thereafter explore the formal and material principles of the modern city to see how opportunities for engagement are presented. Secondly, Skateboarding, Parkour and Guerrilla Gardening are introduced. A brief historical introduction set within the context of the modern city reveals the profound relationship between space and use. Thereafter exploring the spatial-political conflicts entrenched within their practice. Finally, imagining these marginal users of space as performers and the transgressive, often illicit activities as urban performances, the text will explore how these modes of engagement can critique the modern city. Using Borden and Lefebvres theories and Tschumis ideology the text will argue the importance of such critiquing in informing the design and production of future cities. 1.2 Theory. Its Tschumis perspective of Architecture, and of the experience of Architecture, and how he locates transgression as a concept within Architecture (Architectural Design, 2013, p.15) that forms the genesis of this investigative text. The concept of transgression will play an important part for it will attempt to argue its importance in the context of the modern city not conceptually and literally to Architecture and urban space as built form that negates its self but rather a sociologically implied importance. Transgression formed of a series of transgressive acts that are performed within the modern city that consequently, highlight distinct ways contemporary counter-cultures are identifying with the built environment. In pursuit of attaining a qualitative insight into the application of Skateboarding, Parkour and Guerrilla Gardening in the modern city the text will interpret the theoretical writings of Professor Iain Borden. An architectural historian and urban commentator. He is, at the time of writing, Professor of Architecture and Urban Culture at the Bartlett School of Architecture, UCL. His book Skateboarding, Space and the City; Architecture and the Body has proved invaluable in the production of this text. His theories on Zero degree Architecture, Rhythmanalysis and super architectural space adopted from Henry Lefebvre, and adapted for understanding the urban practice of Skateboarding within the discourse of Architecture and urban space are highly transferrable and form a theoretical framework to be used in understanding the socio-spatial   impacts of non-normative, ludic activities being performed in the modern city. 1.3 Structure. Section 1 introduces the main topics, the objective of the study, and informs the reader of the theoretical frameworks underpinning the text. Section 2 formally introduces the three transgressive urban disciplines, their origins and historically roots them within the context of the modern City. The skateboard is introduced as a form of body-tool based engagement, Parkour; a body based engagement and finally Guerilla Gardening; a body-belief based engagement occurring with the urban realm. Section 3 provides the reader with a brief historical development of the modern City, providing a brief exploration of the spatial and material qualities of 20th century Architecture, with particular emphasis on materiality, modernist urban planning principles, and the various architectural artefacts and quotidian objects that form the fabric of the modern city. The section ultimately explores the concept of the city as a collection of macro-micro spaces of opportunity. Section 4 delves into Skateboarding, Parkour and Guerrilla Gardenings political impacts on the modern City and its inhabitants. It explores the legislative measures, and design based tactics employed by authority to disrupt and halt activity. Thereafter, the text will explore conflict and ways in which it may be mediated/mitigated through design. Section 5 explores explicitly the dialogue between Skateboarding, Parkour, Guerrilla Gardening and urban space, with the aim of revealing each disciplines unique spatial qualities, as well as the social, and spatial phenomena that occurs by consequence of their practice. The section will focus on exploring the way in which these modes of engagement can critique urban space, urban fabric, the wider city, its Architecture and inhabitants in new and unfamiliar ways. Before we depart Modern Architecture is a large subject that has been widely discussed and forms a large portion of contemporary architectural discourse. While it is, relatively easy, to obtain a comprehensive account of the Architecture that has pervaded the 20th century, it is, however, surprisingly more arduous to obtain an account of the public spaces that have emerged by consequence of its practice. It is more difficult still to find critical analysis of urban space engagement that negates normative functions. (Preston, 1985) It is far beyond the scope of this text to deliver the former; however, the text will endeavor to explore the phenomenon of human-urban interaction through the guise of a number of marginal urban cultural practices as they are enacted within the spaces between buildings. 2.1 Skateboarding The street skateboard is many things, and serves various functions. For some, it is a form of transportation. For others, a tool that used to engage with the urban fabric of the modern city. For some it is both, and more, it is a way of life. While it is impossible to pinpoint the exact date the Skateboard was invented, Borden suggests it originated in 1930-1950s California. Quite different from the modern skateboard of today, they were makeshift contraptions that looked more like scooters. They were constructed by children using roller skates, apple crates and wooden planks and were used to traverse the suburbia sidewalks. (Borden, 2001, p.13) Evenutually these homemade contraptions would evolve, loosing elements like the metal wheels which gave an uncomfortable and bumpy ride. They were eventually replaced with wheels made of composite materials such as plastic, clay and paper which gave the riders better traction and manouverability. (Borden, 2001, p.14-15) The skateboard did not only evolve in its technological and material capacity, but also in the way it was utilised by the user. Most notable was the introduction of a manouvre called the Ollie which can be seen in figure 01. The ollie involves a series of explosive, perfectly timed manouvres produced with the intent of launching a Skateboarder in to the air, with the skateboard the skateboard seemingly fixed to a skateboarders feet. (Borden, 2001, p.91) The feat which involves a delicate relation between body, board, terrain and gravitational force (Borden, 2001, p.91) would eventually develop into a cornerstone of modern skateboarding (Borden, 2001, p.91). The popularity of Skateboarding has waxed and waned over the years. Arguably, its most important resurgence was in the 1980s when a paradigm shift in the global skateboarding community occurred. Skateboarders, once content surfing the sidewalk, carving the empty pools of California suburbia and navigating the constructed space of the Skatepark were instead being drawn to the oppertunities of the modern city. (Borden, 2001, p.23) 2.2 Parkour According to the Oxford English Dictionary Parkour may be defined as a discipline or activity of moving rapidly and freely over or around the obstacles presented by an (esp. urban) environment by running, jumping, climbing, etc (Oxford English Dictionary , 2016) Figure 2 shows a traceur leaping from one building to another. Parkour is not merely about jumping over walls, despite some common misconceptions, it is an imaginative reworking of the existing spatial configurations as well as a reworking of the corporeal and a questioning of the self. (Angel, 2014, p.178) Much like modern street skateboarding, it may be argued Parkour is also synonymous with the the urban environment. Julie Angel, quoting Mathew Lamb goes as far as stating parkour is the dialectical relationship between the built form and the body (Angel, 2014, p.178) Parkour is a comparatively new form of engagement with the urban and originated as a form of military training, first developed by French naval leutenant George Herbert. His anthropologial observations of the indigenous peoples of Africa and beyond specifically their physical development and movement skills (Anon., n.d.) culminated in the formualtion of a physical training discipline refered to by Herbert as the Natural Method. (Anon., n.d.) More recently two individuals David Belle and Sebastien Foucan developed their own versions of Herberts original physical discipline, they formed a group of practicioners which called themselves the Yamikazi. They would later develop a strong following in their home country of France and with the help of acclaimed film director Luc Besson, the introduction of Youtube and other pioneers of the mid noughties, Parkour would eventually cement its-self within contemporary culture and develop further into a globally recognised and occuring phenomenon. (Anon., n.d.) 3.3 Guerrilla Gardening Guerilla gardening can best be described as the illicit cultivation of someone elses land (Reynolds, 2009, p.05). The activity can be broken down into two leading constituents guirella gardening for aethetics, and for hunger. The flora in an aethsetic context is regarded as the the guirella gardeners pallete, which is utilised in various ways to add personality and to articulate artistic expression in neglected urban space. Figure 03. Others garden out of necessity in what Reynolds calls people fighting for the right to have dinner on their plate (Reynolds, 2009, p.14) According to Reynolds no guerilla gardening manifesto exists, the activity is thought of as being a highly individual undertaking, with every gardener prescribing their own ethics, motivations and goals within their practice. (Reynolds, 2009, p.15) This however, isnt explicily the case with some practicioners arranging spectacular horticultural campaigns by organised and politically charged cells (Reynolds, 2009, p.5) As to the origins of guerilla gardening, one can assume due to the nature of the subject, that is -   cultivating land not belonging to oneself that guerilla gardening has been occurring since at the very least, the Neolithic age, some 14,000 years ago. (Reynolds, 2009, p.65) More recently there are well documented cases of the activity occuring within modern western cities such as New York, Paris and London. 3.3 Activating the modern city through activity Why then, does our three transgressive, at times illicit activities form a viable and interesting topic within Architectural discourse? For skateboarding, Borden suggests skateboarders have the ability to reject the Architecture and spaces of the city as a coherent urban entity (Borden, 2001, p.214)and instead view the saces of the modern city fabric as an orchestration of floating, detcahed, physical items isolated from each other.(Borden, 2001, p.214) This is essentially the skateboarder reproducing Architecture and the city in their own image, and in doing so participate in an exercise of re-mapping the city, and forming a tactile languge made of objects, textures and surfaces that may be recalled at will when required. (Borden, 2001, p.14) Ultimately the relationship between skateboarding and the modern city is highlighting how a space with a prescribed use is in reality inscribed with a multitude of uses.(Borden, 2001, p.247) Julie Angel speaking of Parkour, argues that traucers temporarily socially re-energises areas previously not used (Angel, 2014, p.191) suggesting, New encounters both socially and architecturally (Angel, 2014, p.191) for the inhabitants of the modern city. Parkour thus forms an example of the modern cities inhabitants ascribing new significance, and meaning, to the zero degree spaces/quotidian functional objects of the modern city. (Angel, 2014, p.179) For gurella gardening Olly Zanetti claims gardening is at once a passive activity yet, in certain contexts, affords the ability to radically appropriate space (Zanetti , 2007, p.17) The above statements suggest the three transgressive activities exhibit a range of phenomena, however, they also share common themes. For example, they are all performed kinetically throught movement and action informing the dialectical relationship between Architecture, space and the body. (Angel, 2014, p.178) Further, all three fit the definition of play, defined by the Oxford english dictionary as Exercise, brisk or free movement or action.(Oxford English Dictionary , 2016) Rawilnson and Guaralda suggest play is critical (Rawlinson Guaralda, 2011, p.1) to the wellbeing of the inhabitants of the modern city. Play also forms new meanings and memories for normative elements through an unconventional, and extraordinary level of interaction. (Rawlinson Guaralda, 2011) The above statements suggest the activities negate the prescribed use of space and are consequently venerated with new uses, meanings and memories in the process. May this suggests new spatial possibilities, opportunities, and futures for the inhabitants of the modern city? 3.1 Origins According To Christian Norburg-Schulz author of the book Principles of Modern Architecture Modern Architecture and thus the modern city which encapsulates it came into existence to help human beings feel more at home in the new world that had emerged with the arrival of the industrial revolution. This new world was the by-product of major advancements in personal mobility, the new political and economic paradigms associated with the new world structure and the arrival of what we would call today the media. While the arrival of new technologies were a key precursor in the manifestation of the modern city, another constituent was the general rejection of custom and tradition by leading 20th century architects.   (Norberg-Schulz, 2000) This can be seen in advertisements and literature, such as this Deutscher Werkbund (DWB) exhibition poster (Figure 4) promoting their Form die ohne ornament (Form without ornament) exhibition in 1924. This new architectural doctrine promoted Architecture that embodied openness and transparency, with conceptions of space that extend in all directions and instill with in it a sense of infinity. (Norberg-Schulz, 2000). 3.2 MAteriality As various architects, theorists, and historians have pointed out, no material has been more closely associated with the origins and development of modern architecture (Cohen Moeller , 2006) Cohen and Moeller are referring to concrete. It has been largely agreed that concrete has been synonymous with the modern architectural movement. In terms of the development of our chosen transgressive activities in the modern city, the tactile material quality inherent of the modern city be it the steel bollards obstructing vehicular access to a side street, or the granite benches of a piazza, or the in-situ re-in forced concrete floors and stairs of a regional building. Even the sculptural forms and surfaces orchestrating an Architectures external form and the pockets of green space that adorn it they have all been exploited to great effect. Also being utilized is the spatial organization of the modern city. With the process of urbanization comes its by-product the movement and re-distribution of people from rural to urban. This equates to a greater density of people with in urban space and Architecture/public space must accommodate this increased density. This is manifested through a principle of modernist/post-modernist design where-by notable spaces and architecture are linked by spaces designed for the movement/flow of large volumes of people. Interestingly these spaces which represent the liminal exteriors of society (Angel, 2014, p.178) are, according to Angel popular with traucers, the transitional spaces which direct and steer the human subject (Angel, 2014, p.178) using the available quotidian objects such as Ramps, barriers and staircases (Angel, 2014, p.178) are visual markers which influence and authorise their actions. Such fragmentation of space is what bored Borden refers to as the object-space-object-space rhythm born from a fragmentation of objects within a homogenous space (Borden, 2001, p.195). He maintains the spaces of the modern city that have evolved therein and importantly their potential for reappropriation can only have occurred in the concrete city with its smooth surfaces and running spaces excaliming medievel, reinessance or early industrical cities are crap to skate. (Borden, 2001, p195) Borden is refereing to skateboarding in this instance, however, one can easily understand how his theory may be applied to parkour and even guirella gardening, for parkour is explosive, physical and requires the fragmentation of space, and guirella gardening gravitates to the neglected green spaces which adorn the zero-degree spaces of the modern city. In respect of the above we can begin to view the modern city as the substrate from which a variety of different modes of self expression and identification with the urban environment may transpire. This begs the question; how is the modern city liberated of its ludic duty that is, the authoritative and cultural duty imposed upon it and how is it reborn as the space of total opportunity? For the answer we must understand how the practitioners of each identify with and seek opportunity from space. For skateboarders, Borden believes, the modern city is presented as a pre-existent object, thats liable to negation, specifically, throught expoliting its texcture. Texture in this context gives the skateboarder a different undersatanding of the modern city, an understanding informed from an expereince of surface and the tactility of materials. (Borden, 2001, p.194) Engaging with the city on the level of textual terrain presents the Skateboarder with a myriad of physical sensations, inscribed with in the textual qualities of space that move up through the skateboard and is felt by the skateboarder, as well as heard. The same can be said for the practice of Parkour, with the traucers intimate knowledge of the material and textual qualites of their immediate environemnt informing their movements and actions. For example, a sandstone ledge is a far safer landing pad in the wet than a polished granite one. This is arguably just one of countless material and textual judgements a traucer will make during a session. (Angel, 2014, p.181) Gurella gardening is a different beast all together. While parkour and skateboarding both rely on and engage heavily with the textual fabric of the city, guirella gardening is more selective of its environemnt, for ovbious reasons. Taking into account the particular activities that are happening within the modern city it may be argued the modern citys image is revitalised and reborn through transgression. (Tschumi, 1996) There is no social or political change without the movements and programmes that transgress supposedly stable institutionality architectural or otherwise; that there is no architecture without everyday life, movement, and action; and that it is the most dynamic aspects of their disjunctions that suggest a new definition of architecture (Tschumi, 1996) Tschumi initially implies that boundaries set by institutional orders, laws and codes must be transgressed if a new definition of Architecture and its associated meanings are to be developed. Thereafter he argues the importance of movement the activation of bodies in space to define Architecture. However, how does movement, action and their disjunctions define Architecture, and why are they important, and who are they important to? The collective? The individual? The City? Architects and planners? It is beyond the scope of the text to fully answer such questions, however, a critical analysis of the spatial phenomena and politics concerning skateboarding, parkour and guerilla Gardening is conducted which forms a basis for further research. 4.1 Publicly private. Various literature sources indicate a complex socio-political relationship between the chosen transgressive activities and the spaces occupying the modern city. Simpson suggests the street is a palimpsest of laws, orders, codes (Simpson , 2011, p.417) that contain within them thepotential for modification. (Simpson , 2011, p.417) One can understand the complications practitioners face during their day-to-day interactions with the modern city. This is largely due to what Simpson describes as the domestication of urban public space from the incivilities or certain inhabitants through the regulation of difference (Simpson , 2011, p.418) ultimately this domestication occurs to exclude nonconsumers or those who are deemed to detract from the experience of that space (Simpson , 2011, p.418) Rawlinson and Guaralda suggest activities of integrated play (Rawlinson Guaralda, 2011, p.20)must contend with and thus be subordiante to -   the authoritative powers in force, such as the government and the private institutions/bodies that own and maintain large percentages of cities. This suggests privately owned public spaces are dictated by a form of spatial politics which prioritises consumers over citisens. (Rawlinson Guaralda, 2011, p.20) This eventually leads to legislitave powers being drawn up, for example, legislature such as provisions in à ¢Ã¢â€š ¬-riot acts, the use of à ¢Ã¢â€š ¬-summary offences and restrictions on freedom of association and assembly in a public place (Rawlinson Guaralda, 2011, p.20) which aids in the restriction of activities which are deemend extraordinary or contradicttory to a spaces prescribed use. Julie Angel believes this level of legislation against Parkour, for example, is due to the nature of the activity, she suggests Private corporations fear the risk of liability to their organsiation (Angel, 2014, p.188) which is understandable. The same can be said for skateboarding, both activities involve mass bodies, objects and both, utilised in unison operating at high velocities, and in close proximity to other users of the same urban space. Skateboarding and Parkour are similar in their spatial politics, but what of Guirella Gardening? In London the activity has no legal protection (Zanetti , 2007, p.43) and further, Zanetti suggests the activity can theoreticallly be construed as trespass theft or criminal damage. (Zanetti , 2007, p.43), suggesting Reynolds ethic fits the definition of guerilla gardening exceptionally well: some people have a different definition of gardening. I am one of them. I do not wait for permission to become a gardener but dig wherever I see horticultural potential. I do not just text existing gardens but create them from neglected space. (Reynolds, 2009, p.4) 4.2 Designed suppression Angel quoting Michel Foucault suggests the Architecture and planning occurring within the modern city is underscored by a form of spatial tactics (Angel, 2014, p.184)as well as political technology.(Angel, 2014, p.184) Adding, methods used for the organization of bodies in space is conceived through enclosure, partitioning and of creating functional sites.(Angel, 2014, p.184) What are these spatial tactics and what other tactics are employed to restrict one form of use over another? Figure 5 illustrates a plan of the City Hall complex in London, containing the City Hall building designed by Foster Partners. Adjacent to the building is The Scoop, an 800 seat external amphitheater designed by Townshend Landscape Architects. The Scoop forms an interesting case study as it exemplifies the power struggle relations between space and non-prescribed use and reveals typical modes of designed suppression. The polished steel knurls that adorn the external granite forms, as shown in Figure 6 are located to restrict the frictional, horizontal movement of metal objects, such as skateboard axles (trucks). Figure 7 exemplifies the signage utilised by authority to forbid and criminalise non-normative activity. Interestingly, rollerblading as well as cycling a generally accepted form of inner-city transportation is legislated against in this instance. Thus presented are two examples demonstrating how architectural defense tactics have been employed demonstrating how owners, developers and governance contribute to the maintenance of power of one group over another (Angel, 2014, p.184) The political and design based tactics restricting urban activities like skateboarding, rollerblading and BMXing are not applicable with guerilla gardening. No examples of design-based tactics targeting gardeners explicitly have been found within academic literature. 4.3 Mediating conflict A review of current literature reveals interesting ways in which the three transgressive activities mediate conflict within the modern city. Whilst Borden suggests Skateboarding is antagonistic towards the urban environment (Borden, 2001, p.247) he presupposes skateboarders take advantage of the bounded temporality (Borden, 2001, 198) of certain spaces. He suggests skateboarders can mediate conflict with authority/building owners by choosing to use space at times when the adjacent buildings are not in use, such as at night or on weekends. Thus, skateboarders substitute one temporal rhythm for another (Borden, 2001, p.198) and in doing so animate the Architecture and spaces of the modern city at times when they would otherwise go unnoticed (Borden, 2001, p.198) Skateboarders and traucers inevitably mark and scuff the surfaces they use to perform on, marks left by the skateboarders utherene wheels on the ground, damaged ledges from an accumulation of contact (Figure 8) and trainer marks are but a few examples worth noting. Whilst its understood skateboarders avoid conflict through clever use of temporal rythms, theres no evidence within literature to suggest they take responsibility for the damage they inflict, as such one can assume theyre indifferent. The same cannot be said for Parkour, however, with Angle suggesting traucers go to great lengths to make their relationship with the environemnt a positive one (Angel, 2014,p, 182) The residual build up of material that can make space look untidy has been brought into question (Angel, 2014, p.182) within the parkour community. This has resulted in the Leave no trace initiative(Angel, 2014, p.183) (Figure 9) with traucers essentially chosing to paint over the marks their shoes leave behind, furthemore, traucers remove debris and litter before and after they practice, while they do this for their own safety Angel suggests Parkour potentially improves spaces.(Angel, 2014, p.182) As previously mentioned guerilla gardening differs considerably to the two former transgressive activities in its theory and practice. Its important to note that while the two former occur in plain view most of the time, its assumed guirella gardening does not. Guirella gardenings mediation of conflict is unequivocally linked to the activity, because o

Ada :: Computers Language Technology Essays

Ada The Ada language is the result of the most extensive and most expensive language design effort ever undertaken. The United States Department of Defense (DoD) was concerned in the 1970 ¡Ã‚ ¦s by the number of different programming languages being used for its projects, some of which were proprietary and/or obsolete. Up until 1974, half of the applications at the DoD were embedded systems. An embedded system is one where the computer hardware is embedded in the device it controls. More than 450 programming languages were used to implement different DoD projects, and none of them were standardized. As a result of this, software was rarely reused. For these reasons, the Army, Navy, and Air Force proposed to develop a high-level language for embedded systems (The Ada Programming Language). In 1975 the Higher Order Language Working Group (HOLWG) was formed with the intent of reducing this number by finding or creating a programming language generally suitable for the department's requirements. The working group created a series of language requirements documents - the Strawman, Tinman, and Ironman (and later Steelman) documents. Twenty-three existing languages were formally reviewed, FORTRAN, COBOL, PL/I, HAL/S, TACPOL, CMS-2, CS-4, SPL/I, JOVIAL J3, JOVIAL J73, ALGOL 60, ALGOL 68, CORAL 66, Pascal, SUMULA 67, LIS, LTR, TRL/2, EUCLID, PDL2, PEARL, MORAL, EL/I; but the team concluded in 1977 that no existing language met the specifications, though Pascal, ALGOL 68, or PL/I would be a good starting point (History of the Ada Programming Language). Requests for proposals for a new programming language were issued and four contractors were hired to develop their proposals under the names of Red, Green, Blue, and Yellow. In May of 1979, the Green proposal, designed by Jean Ichbiah at Cii Honeywell Bull, was chosen and given the name Ada, after Lady Ada Lovelace, the so-called first computer programmer. The reference manual was approved on December 10, 1980 (Ada Lovelace's bi rthday). The total number of high-level programming languages in use for embedded systems projects at the DoD fell from over 450 in 1983 to 37 by 1996. The DoD required the use Ada for every software project where new code was more than 30% of result, though exceptions to this rule were often granted. This requirement was effectively removed in 1997. Similar requirements existed in other North Atlantic Treaty Organization (NATO) countries. Ada :: Computers Language Technology Essays Ada The Ada language is the result of the most extensive and most expensive language design effort ever undertaken. The United States Department of Defense (DoD) was concerned in the 1970 ¡Ã‚ ¦s by the number of different programming languages being used for its projects, some of which were proprietary and/or obsolete. Up until 1974, half of the applications at the DoD were embedded systems. An embedded system is one where the computer hardware is embedded in the device it controls. More than 450 programming languages were used to implement different DoD projects, and none of them were standardized. As a result of this, software was rarely reused. For these reasons, the Army, Navy, and Air Force proposed to develop a high-level language for embedded systems (The Ada Programming Language). In 1975 the Higher Order Language Working Group (HOLWG) was formed with the intent of reducing this number by finding or creating a programming language generally suitable for the department's requirements. The working group created a series of language requirements documents - the Strawman, Tinman, and Ironman (and later Steelman) documents. Twenty-three existing languages were formally reviewed, FORTRAN, COBOL, PL/I, HAL/S, TACPOL, CMS-2, CS-4, SPL/I, JOVIAL J3, JOVIAL J73, ALGOL 60, ALGOL 68, CORAL 66, Pascal, SUMULA 67, LIS, LTR, TRL/2, EUCLID, PDL2, PEARL, MORAL, EL/I; but the team concluded in 1977 that no existing language met the specifications, though Pascal, ALGOL 68, or PL/I would be a good starting point (History of the Ada Programming Language). Requests for proposals for a new programming language were issued and four contractors were hired to develop their proposals under the names of Red, Green, Blue, and Yellow. In May of 1979, the Green proposal, designed by Jean Ichbiah at Cii Honeywell Bull, was chosen and given the name Ada, after Lady Ada Lovelace, the so-called first computer programmer. The reference manual was approved on December 10, 1980 (Ada Lovelace's bi rthday). The total number of high-level programming languages in use for embedded systems projects at the DoD fell from over 450 in 1983 to 37 by 1996. The DoD required the use Ada for every software project where new code was more than 30% of result, though exceptions to this rule were often granted. This requirement was effectively removed in 1997. Similar requirements existed in other North Atlantic Treaty Organization (NATO) countries.

Integration versus generic approach Essay

Integration versus Generic Approach Author Note This paper is being submitted on November 17, 2013, HS/100 Introduction to Human services course. Integration versus Generic Approach The integration concept is that which emphasis’s on the integrating of the various human services systems under one organizational or administrative system. In the most basic terms, an integrated service delivery approach serves people better, more efficiently and effectively. Integration calls for people within agencies to be involved and invested in the process of sustainable change. To achieve truly integrated services, organizations must overcome their own interests and look at clients’ needs. (Friedman and Pagan, 2011). Today technology allows human service agencies to have a comprehensive view of client need, giving caseworkers the best information to look at services across programs and to allocate available resources to assist customers. This enables agencies to deploy necessary services quickly in a well-coordinated fashion (Freidman and Pagen, 2011). The generic approach to human services, in part, has integration, but it is generally believed that the existing human services structure is most accurately described as an array of potentially related programs that deliver distinct benefits or services to narrowly defined target populations. These programs are usually separate and distinct, through which money, regulations, and professional norms, and expectations flow. While some overlapping across programs has always existed, each usually operates in a relatively self-contained manner (Corbett and Noyes, 2008). I believe that the integration approach serves our publics best interest. To have all systems and programs come together to see the big picture, to focus on all the problems together, instead of having to go place to place to work on separate issues Unfortunately, a  ready-made definition of service integration does not exist. We have not been able to find a magic threshold that marks the separation of unintegrated service systems from those we would characterize as integrated (Corbett and Noyes, 2008). (Ragan, 2003) states, â€Å"There is no single answer. Based on observations†¦service integration is a combination of strategies that simplifies and facilitates clients’ access to benefits and services. Each site has implemented a distinctive mix of strategies, processes, and partner agencies†.

History of Sport Essay

In my paper I will be discussing the early form of calisthenics and how the men and women who implemented exercise and fitness into our everyday life. Although there were many disagreements among the early supporters the first sightings of controlled calisthenics are from physical education classes and in schools. Many fought over what was beneficial for a human being and what was considered a waste of time. Many early idealists agreed appaun the body and mind are connected meaning a healthy mind was impossible without an equally healthy body. Eventually as you get closer to the 1900’s all educators for men at least developed the thinking that physical education particularly calisthenics was a prerequisite for child development. Meaning it was crucial, important almost vital to becoming the most all around successful human able to achieve nothing short of greatness. The belief that by strengthening mans body a man could strengthen his ‘will’. These were thoughts brought up long before the 19th century. Many men who believed in the connection between mind and body thought this was an individual responsibility calisthenics just provided the means. It gave everyone an outlook on the idea of what could come down the road for men who exercised and trained what new levels of success could bring to a mans future just by adding another form of practice into your everyday schedule. In the 1820s American educators began to advocate physical education as well as organize some type of instruction. Many men and educators as time increased and popularity grew for health believed the athlete was the new hero and the new â€Å"human form divine† from all three articles the new idea of man became to be the â€Å"aristocrat of character† not an aristocrat at birth. They were trying to say just because you were born into money or born into wealth doesn’t mean you were going to grow up to be the ideal king everyone expected you to be. You need to be taught, develop character, strength and the will to become the best. Corrupting the mind to control your destiny will lead to the control of your body to un seen lengths of being immortal or superior. Many Americans in the early form of calisthenics became obsessed with health. Tons of men thought the key was strict dieting though the develop of strength training began to take control. As we get closer to the 19th century Americans are troubled with many un explained illness’s and disease. Many ‘irregular’ doctors at the time emphasized exercise and hygiene rather then the radical remedies people performed on one another for cure by the ‘regular’ physicians of the era. During the early part of the civil war for Americans 1861-65 made exercise and physical education a major component in their programmes. Due to the long war some men were forced to deal with anxieties that brought down much of the interest in health and exercise. To balance out the progress already made before the war bringing men together from different sections of the country fighting together as one helped create and spark the interest of sport.